Once you've finished casting your ballot in the Federal election, don't forget to cast your ballot in Equity elections! Voting closes October 30.
And, while you're at it, don't forget to contribute to our Council Focus survey. How do we know what's important to the membership? You tell us.
Finally, just in case you might be thinking "Council, what??", here is a link to some useful topics on Council basics. Everything you ever wanted to know, and then some.
Saturday, October 17, 2015
Friday, June 12, 2015
Equity work patterns over time - 2015 update
Every year, staff prepares a report on work weeks from the previous year, and a condensed version appears in the EQ from time to time. There are certainly lots of numbers to sift through, but statistics are nothing without context – a comparison of those numbers over time. Are they climbing, declining, or staying steady?
In an effort to provide some of that context, I started charting the workweek numbers a few years ago, and here is what the picture looks like as of mid 2015:
It's a bit hard to make out at this scale, but the cluster of lines immediately below the 10K mark are opera, dance and guest artist, all roughly at the same 6-7,000 level. Opera and guest artist have stayed pretty steady, but due in large part to the welcoming of the artists at Les Grands Ballets Canadiens into our membership, the dance number has risen over the past two years.
Below that group, the orange line represents small scale and indie projects of all types, which have also seen a significant increase in the past several years.
Finally, the line right at the bottom is actually two lines: amateur and other (a grab bag of miscellaneous engagements), both of which only account for a few hundred work weeks annually.
Although this year is down slightly from last year's record high, the trend is still very positive, and it will be interesting to see what next year holds in store.
In an effort to provide some of that context, I started charting the workweek numbers a few years ago, and here is what the picture looks like as of mid 2015:
Work weeks over time
Note: the reporting period changed from calendar to fiscal in 2011, and Jan-Mar 2011 is not reflected in this chart. |

Over the past thirteen reporting periods, the typical year has generally hovered around and above 70,000 work weeks for our members - that's the bold red line at the top. Contracts under the CTA and ITA make up about two-thirds of that. |
It's a bit hard to make out at this scale, but the cluster of lines immediately below the 10K mark are opera, dance and guest artist, all roughly at the same 6-7,000 level. Opera and guest artist have stayed pretty steady, but due in large part to the welcoming of the artists at Les Grands Ballets Canadiens into our membership, the dance number has risen over the past two years.
Below that group, the orange line represents small scale and indie projects of all types, which have also seen a significant increase in the past several years.
Finally, the line right at the bottom is actually two lines: amateur and other (a grab bag of miscellaneous engagements), both of which only account for a few hundred work weeks annually.
Although this year is down slightly from last year's record high, the trend is still very positive, and it will be interesting to see what next year holds in store.
Thursday, May 21, 2015
Equity Census - Every Member Counts
Council is currently conducting a Census of the membership, and it’s important that you participate.
Back in 2007, Council initiated the most comprehensive survey of our membership that we have ever done. Response was excellent, and Council has been relying on those results to shape our work for close to a decade now.
One of the most critical elements of that research was Equity’s first foray into developing a detailed picture of the rich diversity of our membership, including information on family and dependants, details of heritage and ethnicity, and physical challenges. These are all areas of some sensitivity, and we were delighted with the generosity the membership showed in sharing their details. Members spoke freely to all these topics, and over 90% of respondents agreed to provide us with ethnic and heritage identity information, well beyond our most optimistic hopes.
So, why are we coming back to the membership on the same topics again? Well, two reasons.
First, that information was a snapshot of the membership in 2007. Since then we have welcomed over 2000 new artists. Our membership is no longer the same membership it was then, and we want to keep our knowledge current.
The second is more forward-looking, and takes us well beyond the realm of snapshots. This new census research asks for your permission to securely store the identity information you provide, so that we can keep our knowledge current on a continuous basis.
As Equity works to improve how it helps its members face their career challenges, we need to be able to assess, in real time, whether things are improving or not.
As well, every year we make submissions to a range of governmental and other bodies on how to help and encourage the live performance industry to promote full diversity on Canada’s stages. For this work to have its greatest effect, we need to be able to state with confidence how things are now, and how things have changed, and identify specific places where greater effort is needed. Just as importantly, we need to be able to recognise where best efforts aren’t working, and change tactics to suit.
In short, the whole industry needs to move beyond making choices and hoping they work.
Your contribution to the Equity Census will give us those real-time tools, and everybody’s response is needed to provide the fullest possible picture.
The Equity Census closes this Friday. If you haven’t already done so, please take 10 minutes of your time today, to help us help you for the next 10 years.
Visit caea.com for details on how to participate.
Every member counts.
Monday, January 26, 2015
Renewed Reciprocal Agreement signed with ACTRA
Equity Council is pleased to announce an update to the longstanding Reciprocal Agreement with the Alliance of Canadian Cinema, Television and Radio Artists (ACTRA). A joint committee of ACTRA and Equity Councillors met to sign the updated document on December 8, exactly forty-three years to the day after the original agreement went into effect.
The new version generally simplifies the language and tidies up some loose ends. More significantly, it also removes the reciprocal joining requirement, so that members of one association working in the jurisdiction of the other now have access to the full range of member or permit options that would ordinarily apply to whichever engagement they may be involved in.
Going forward, ACTRA members will be eligible for permit engagement under our joining programme when doing initial contracts in theatre. This change will offer ACTRA performers, new to the professional stage, the opportunity to build experience in live performance and familiarity with Equity engagements before committing to membership. The specific terms of engagement will depend on what is available for the contract in question, and not on ACTRA membership.
The new version generally simplifies the language and tidies up some loose ends. More significantly, it also removes the reciprocal joining requirement, so that members of one association working in the jurisdiction of the other now have access to the full range of member or permit options that would ordinarily apply to whichever engagement they may be involved in.
Going forward, ACTRA members will be eligible for permit engagement under our joining programme when doing initial contracts in theatre. This change will offer ACTRA performers, new to the professional stage, the opportunity to build experience in live performance and familiarity with Equity engagements before committing to membership. The specific terms of engagement will depend on what is available for the contract in question, and not on ACTRA membership.
Note that some engagement policies, such as the Artists' Collective, do not require joining for non-members to participate. Equity has historically excluded these engagements from the Reciprocal Agreement joining requirement anyway, so the change only serves to formalise what has long been the case.
ACTRA members can get more information on their engagement options for a given contract by contacting either Equity office.
ACTRA and Equity have enjoyed a long and collaborative relationship, and this renewed commitment to reciprocal recognition and assistance is designed to serve our memberships well into the future. Both national Councils have also committed to ongoing discussions aimed at greater opportunities for connection and collaboration, including the upcoming review of our Strategic Alliance, which generally covers all matters of joint advocacy.
Monday, January 19, 2015
Council Elections - Looking for your input
Council is
currently in planning mode for the next round of elections this fall, and we have an idea
on which we'd like your input. In short, we're considering a return to rotating elections, where we would renew Council over the course of several years, instead of all at once.
The winter EQ should be arriving in your mailbox or inbox any day now, and there is more information provided in that issue. Please give it a read, and get in touch if you have any ideas or concerns you'd like to share.
Nothing is decided yet, but we do need to get moving on any changes within the next few months. It's your association, so please take the time to help us make it better.
Nothing is decided yet, but we do need to get moving on any changes within the next few months. It's your association, so please take the time to help us make it better.
Monday, January 12, 2015
Working in an Educational Setting
At its November meeting, Council concluded work on changes to how members may be contracted while working as educators at post-secondary institutions.
Equity has long excluded members working as educators from the requirement of being signed to an Equity contract, since teaching, even by an Equity member, is not within our jurisdiction. In most cases the division was quite clear. For example, a stage manager, SMing a show at a university, was quite clearly doing a job within Equity's jurisdiction, and expected to be hired under an Equity contract. The same member, however, serving as a coach to a student SM on a university show was quite clearly working in a teaching capacity, and could therefore be contracted under a suitable instructor's contract.
When the Directors, Choreographers and Fight Directors Committee brought the topic forward to Council for consideration, they pointed out that members working in those disciplines frequently had to manage both Equity and teaching responsibilities, e.g. directing a show and also doing a scene study class and grading students on their work.
In these dual-nature jobs, the contracting requirement was frequently a matter of some tension with the school. Existing unions within the educational institution, for instance, might prohibit the hiring of instructors on the contracts of another professional association. Or issues of bonding or prepayment might be administratively challenging for organisations that did not work that way for any other hires. In reviewing the matter, Council elected to open the discussion up to cover all disciplines, so that there would be consistent handling of post-secondary educational contracts for all members.
Beginning this year, when working within the post-secondary educational sector primarily as educators, members may choose to be hired under either an Equity agreement or a teaching contract, letter of agreement or other document provided by the institution that provides at least the core workplace benefits and protections set out in our policies. We anticipate that this will relieve most of the issues. It will ensure that all members have basic workplace protections, and those members able to use Equity contracts will have access to those additional benefits as well.
In these dual-nature jobs, the contracting requirement was frequently a matter of some tension with the school. Existing unions within the educational institution, for instance, might prohibit the hiring of instructors on the contracts of another professional association. Or issues of bonding or prepayment might be administratively challenging for organisations that did not work that way for any other hires. In reviewing the matter, Council elected to open the discussion up to cover all disciplines, so that there would be consistent handling of post-secondary educational contracts for all members.
Beginning this year, when working within the post-secondary educational sector primarily as educators, members may choose to be hired under either an Equity agreement or a teaching contract, letter of agreement or other document provided by the institution that provides at least the core workplace benefits and protections set out in our policies. We anticipate that this will relieve most of the issues. It will ensure that all members have basic workplace protections, and those members able to use Equity contracts will have access to those additional benefits as well.
Councillors and staff will be preparing an information bulletin on this later in year, but we wanted to give everyone a heads up on the change.
Monday, December 1, 2014
RRSPs - Part 2
If you have read my previous post on Equity's RRSPs, you will know that returns on our funds are right up there with others available in our industry. We offer eight options that run the gamut from the very conservative to the very aggressive. Invested in several of them, members would have doubled their money within ten years, and that's including a period that spans the last recession. Not too shabby.
However, it doesn't matter in the least how good the returns are, if:
If we cannot deposit your money in your account, it will eventually get donated to the Actors' Fund of Canada. A very worthwhile cause, to be sure, but not the same thing as contributing to your RRSP. If you haven't already opened an RRSP account, please follow these instructions, and fill in this form, and keep what you've been giving away.
Then, leave the money in there and let it grow!
Each year, a truly astonishing amount of the contributions made are withdrawn. I'm not talking about members who transfer their money into some other registered investment. Nor am I talking about members who withdraw some of their money for one of the reasons that RRSPs allow for – lifelong learning, or putting a downpayment on a house, for instance – or to deal with a sudden financial crisis.
I'm talking about members who withdraw their RRSPs in cash, all of it, and regularly.
This is a tough business, and money is frequently/always tight. Even at the best of times, it's difficult to save for tomorrow. So why not make use of the opportunities that exist? The amount of money diverted from your paycheque is small, but the opportunities for its growth are very good. It makes no difference to Equity whether you withdraw money from your RRSP or not, but it sure could make a huge difference to your future.
And then the next time I post a comparison of RRSP returns, it won't just be some bit of abstract trivia. You'll be able to say to yourself: "Excellent, and I've got a piece of it!"
However, it doesn't matter in the least how good the returns are, if:
- We can't deposit your RRSP contributions into your fund; and
- You don't leave them there.
If we cannot deposit your money in your account, it will eventually get donated to the Actors' Fund of Canada. A very worthwhile cause, to be sure, but not the same thing as contributing to your RRSP. If you haven't already opened an RRSP account, please follow these instructions, and fill in this form, and keep what you've been giving away.
Then, leave the money in there and let it grow!
Each year, a truly astonishing amount of the contributions made are withdrawn. I'm not talking about members who transfer their money into some other registered investment. Nor am I talking about members who withdraw some of their money for one of the reasons that RRSPs allow for – lifelong learning, or putting a downpayment on a house, for instance – or to deal with a sudden financial crisis.
I'm talking about members who withdraw their RRSPs in cash, all of it, and regularly.
This is a tough business, and money is frequently/always tight. Even at the best of times, it's difficult to save for tomorrow. So why not make use of the opportunities that exist? The amount of money diverted from your paycheque is small, but the opportunities for its growth are very good. It makes no difference to Equity whether you withdraw money from your RRSP or not, but it sure could make a huge difference to your future.
And then the next time I post a comparison of RRSP returns, it won't just be some bit of abstract trivia. You'll be able to say to yourself: "Excellent, and I've got a piece of it!"
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